The Harmonious One

This concern with external beauty that you reproach me for is a method for me. When I discover a disagreeable assonance or a repetition in one of my sentences, I can be sure that I'm floundering around in something false. By dint of searching, I find the right expression, which was the only one all along, and at the same time the harmonious one. The word is never lacking when one is in possession of the idea.

--Gustave Flaubert, March 1876

That in response to criticism at taking a whole day to produce a single sentence.

Like he says, the idea's in no hurry. Dress it up, dress it down, keep going until you find the right look. When you see it you'll know. Then shove that sentence out the door and dress the next one.

Comments

Andrew Stanton (PIXAR) - transcript - Keynote, Screenwriting Expo 5 (2006), Understanding Story: or My Journey of Pain

UPDATE, March 2012: New TED 2012 Talk by Andrew Stanton, covering much of the same material recorded here. READABILITY TIP: For easier reading and to prevent eye strain, narrow the width of your browser tab to reflow the text into shorter lines. I recommend a words-per-line count of 12 to 15. As soon as I found it on Google Video, I knew I would have to transcribe it. Here is all of Andrew Stanton's keynote from Screenwriting Expo 5 (2006). He named it: "Understanding Story: or My Journey of Pain." I have not transcribed the Q&A that followed the keynote. Perhaps I will tackle it one day. Not for a while -- this transcription consumed quite a few of my nights, and I'm happy to be done with it. And now that I can look at it from head to toe, I can see it was worth every coffee-fueled keystroke. With Stanton's experiences and lessons to guide us, we cannot fail to become better storytellers. Note: Andrew talks FAST, so this transcript

The 4-Act Story Diamond

Update: new version of the 4-Act Story Diamond graphic here . Update 2 (2023): Even more 4-act structure , courtesy of Stan Williams. I don't believe in the three-act screenplay story structure. It's four acts, plain and simple. I said so ten years ago on Jack Stanley's Scrnwrit list, and nothing has changed since. Four acts, no more, no less. I'm sorry those screenwriting gurus sold you on three acts and then five acts and then seven acts or -- what are we up to now? Nine? Twelve? Look, we're all grasping for the magic template that will reign in the chaos and tame our wild stories, so I don't blame you for listening to those guys. The four acts were there all along and the screenwriting gurus knew it, or at least sensed it. Certainly Syd Field knew it, although he failed to make a clean break from the dogmatic Aristotle three-act structure . I swear, if I hear once more that line about "Get your hero up a tree, throw rocks at him, then get him

4-Act Story Diamond v2

This model represents the Hero's Journey in four acts. It supplements my old story diamond. Click the image for a larger view. Discussion about the eight plot points is here .

Rage Against The Page

Search This Blog